Cornwall: Between the surf and the storybook

We arrive with pictures in our heads and take different ones home: harbour towns and cliffs, tidal paths and ruins, shop windows and amusement arcades. In between, people sit on the beach, boats wait for the tide and a gull watches over its own warning sign. Our photographs from Cornwall follow the journey from St Ives to the coast, on to Tintagel and finally the Eden Project.

Boats in St Ives harbour, with waterfront houses and a long harbour wall behind them.
St Ives — the harbour and the houses beside the water, our first view of Cornwall.
A whitewashed pub with a chimney, signs and benches outside.
The Sloop Inn in St Ives — “Quality B&B”, says the sign. The façade catches our eye.
People sit in small groups on a sandy beach between rocks and sea in St Ives.
St Ives — sitting together on the beach as the light over the water fades. Wind and weather seem to make little difference.
The low sun above a dark stretch of coast is reflected in the sea at St Ives.
St Ives — the sun sinks behind the coastline.
A shop window in a grey stone façade, with a turquoise door, souvenirs and a “Gullz R Loud” sign.
Gullz R Loud in St Ives — Cornwall in a shop window.
St Ives harbour at dusk beneath a pale pink and blue sky.
St Ives — in the evening, the harbour view loses its strong colours.
Green cliffs drop towards the sea, with white surf around the rocks below several buildings.
Lizard Point — only the cliff edge separates grass from surf.
A stone building with a slipway stands below a steep coast, right beside the rough sea.
Lizard Point — the boathouse sits close to the surf.
A paved causeway leads between shallow water towards the island of St Michael’s Mount.
St Michael’s Mount — at times, the path to the island belongs to the sea.
People stand on steps and along a high stone harbour wall, with low buildings above, in Marazion.
Marazion — opposite St Michael’s Mount. Sitting on the harbour wall is part of life in Cornwall.
Visitors walk along the exposed causeway towards the island and its hilltop castle.
St Michael’s Mount — at low tide, the crossing becomes a footpath.
A white shelf with a small tiled roof and rows of colourful mugs stands against a white wall in Mousehole.
Mousehole — a little house for the teacups.
Boats rest on the sand in Mousehole’s dry harbour, with houses on the hillside behind.
Mousehole — the boats wait for the water.
A white house with a slate roof, turquoise windows and the name “The Mousehole”.
The Mousehole — turquoise against white render and grey stone.
A stone building with a clock tower and a red telephone box stand on a street corner.
Mousehole — clock tower and red telephone box on the corner.
A white signpost marked “Land’s End”, with distances to other places, stands in front of the sea.
Land’s End — at the end of the land, the signpost still points far beyond.
Dark rocks rise from turquoise water below a cliff, with a small structure on the horizon.
Land’s End — the eye follows the rocks out to sea.
A distinctive rock stands off the coast at Land’s End beneath a wide sky with scattered clouds.
Land’s End — the great view needs no sign.
A lone person stands by the water in front of a long, green breaking wave on a beach north of Land’s End.
North of Land’s End — only the person by the water reveals how big the wave is.
A yellow rescue board with red lettering lies on the sand, with sea and surf behind it, on a beach north of Land’s End.
On the beach north of Land’s End — the rescue board is ready.
Warmly dressed people sit and stand among sand and rocks, with a dog beside them, on a beach north of Land’s End.
Jackets, folding chairs and a dog are part of beach life here.
A view from a green hillside across a wide sandy beach, white waves and a long stretch of coast north of Land’s End.
North of Land’s End — this is Cornwall too: wide beaches. From the hillside, the waves form long white lines.
Spray blows over a breaking wave, with two dark rocks rising from the sea behind it.
Cape Cornwall — surf in front of the Brisons rocks.
Ropes, baskets and floats lie in front of a small boat beside a stone slipway at Cape Cornwall.
Cape Cornwall — ropes, baskets and a boat.
A stone church with a squat tower stands beyond a green field with sheep.
Tintagel — a church, sheep and plenty of open sky.
A narrow bridge with slender steel supports connects two steep rock faces at Tintagel.
Tintagel — the bridge leads across to the ruins.
A narrow path crosses green slopes above a rocky bay.
Tintagel — away from the walls, the coast still draws the eye.
Rocks and sea can be seen through a narrow opening between uneven stone walls.
Tintagel — the sea framed by a narrow gap in the wall.
Visitors walk among low wall remains on a green slope, with a bridge spanning the rocky cleft behind them.
Tintagel — ruins from different periods, connected by a present-day path.
Green headlands and dark cliffs recede into the distance above turquoise water.
Tintagel — the coastline continues beyond the ruins.
A crowned metal figure with a cloak and sword stands on a rock in front of the sea.
Tintagel — crown, cloak, sword. King Arthur.
A high footbridge crosses the blue sky between dark rock faces, with a second bridge below.
Tintagel — from below, the gap spanned by the bridge becomes clear.
Closely packed signs, small figures and other objects stand outside a shop in Tintagel.
Tintagel — the sign shop seems to have a saying in stock for almost any situation in life.
Looking across the dry harbour in St Ives, with boats on the sand, harbour walls and waterfront houses.
St Ives — at low tide, the harbour becomes a wide expanse of sand.
A stone harbour wall in front of St Ives harbour at low tide, with boats, beachgoers and houses beyond.
St Ives — behind the harbour wall, the boats rest on sand.
A blue figure with a wide, glittering skirt against an iridescent background at Tate St Ives.
Tate St Ives — blue and glitter instead of surf and rocks.
Looking up at a pale, rounded part of a building, with columns, struts and a circular opening.
Tate St Ives — a composition of curves, straight lines and blue sky.
Several fishing boats rest on the sand in the harbour, with the houses of St Ives rising behind them.
St Ives — the same harbour, this time without water beneath the boats.
Colourful amusement machines glow in the open entrance of the Patsea Arcadia, with a little pink car ride outside.
Patsea Arcadia in St Ives — “Since 1934”, and people are playing inside.
A gull perches on a railing directly above a sign reading “Beware the gulls”.
St Ives — the gull has found its place above the warning sign.
A harbour-front building with lit windows, colourful lights and signs for pool and billiards.
St Ives — pool, billiards and colourful lights on the harbour front.
An orange lifeboat stands inside the illuminated boathouse of a stone building with its door open.
St Ives — the lifeboat in its boathouse.
Looking over rooftops and St Ives harbour beneath a bright, cloudy sky.
St Ives — one more look at the harbour before we move on.
A black and yellow warning sign with a dragon illustration stands among green plants.
Eden Project — “You are in dragon territory!”
Dark human and animal figures stand among plants beneath a geometric dome roof.
Eden Project — among the plants, there are stories and figures too.
Pale greenhouse domes sit among dense vegetation and wooded slopes.
Eden Project — a very different picture of Cornwall to finish.